No absolutes in Human Suffering - GAZA

No Absolutes in Human Suffering

Gaza

Black Market Activities

Rating: - 8/10

The Sound of Hatred

Pure hatred (not the poor Chimera song) is a powerful ideology used throughout all forms of metal and hardcore, creating the aggression and power that makes this genre of music as good as it is.  It appears whether in the form of despair (Converge), eternal damnation (Electric Wizard) or the pure act of despising the world and everyone in it (Touche Amore). Hate can inspire brilliance in any of its forms, just think without this powerful emotion would we have ever got albums such as Iowa by Slipknot. The eternal suffering that is Salt Lake Cities Gaza however is something that goes beyond hate and despair, creating a album that is not only bleak but also mercilessly crushing in its approach (take the cheerfully titled Not for all the hope in the world). The album takes clear influence from the almighty Converge with its use of pace and sheer white noise approach and production, whilst also mixing in crushing riffs that could have been on any Crowbar album. The album also brings in walls of sonic intensity which song eerily reminiscent of Neurosis. Creating what can only be described as sonic chaos.

One minute your having your face ripped off by rapid razor edged riffs and brutal pace to next track being pummelled into the floor by the heaviest and most sonically crushing riff ive heard all year. The production is dark and brooding, allowing the low end of the riffs to become distorted grabbing the listener by the throat making the punishment of the riffs all the more severe. From cripplingly fast drums to skull crushing doom riffs the album delivers the album into its six minute finale Routine and then Death which grinds the album to a thundering Holt with another of skull crushing riff.

If sonic hatred is your bag then this release is essential. Im not going to lie its grim, its very grim but my god it’s incredible once you get your teeth into it, Should provide a treat for fans of sonic intensity, ferocity and doom laden sludge.

For fans of: - Converge, Neurosis, Black Breath

The Hunter - Mastodon

The Hunter by Mastodon

Atlanta’s metal behemoths do it again!

                “I killed a man because he killed my goat” bellows drummer and vocalist Bran Dailor. From this line alone you can probably tell Mastodon are a band who aren’t afraid of pushing the the boat out with there lyrics and musical ability or showing there influences through there music. There new release “The Hunter” shows that the band have continued to experiment but haven’t forgotten their heavy metal roots.

Since their inception in 1999, Sludge metal kings Mastodon have produced four critically acclaimed albums which any classic metal band would be proud to have in their discography.  2003 brought their sludge metal classic debut “Remission”, their next album “Leviathan proved there was more to Mastodon then just riffs heavier than a heard of elephants, they could write excellent songs as well, the album spawned the bands first single “Blood and Thunder” and earned the band the prestigious award of Terrorizer magazines album of the year award. Leviathans follow up “Blood Mountain” allowed Mastodon to branch out from their sludge metal roots and incorporate more stoner rock influences; widely considered to be their breakout album earning the band their first Grammy nomination for the track “Colony of Birchman” the track contains a surprising guest appearance from ex Kyuss guitarist and current Queens of the Stone Age frontman Josh Homme.  Finally Mastodon released their critically acclaimed fourth album “Crack the Skye”; on this release the band branched out further by incorporating progressive rock sound scapes, ambient keyboards with cleaner vocal and clean guitar tones. However the band didn’t forget their roots, balancing their new progressive rock direction with their huge riffs and brutal cookie monster vocals. Drummer Brann Dailor dedicated the release to his sister “Skye” who passed away when he was young.

                After playing a storming set at this summers Sonisphere festival, where for my money they wiped the floor with everyone who played on the Sunday.  Every member of the metal community from black metal fans to hardcore fans was waiting for their first fix of the new album. Many expected Mastodon to pursue a more progressive direction on this album, following on from their previous album which was influenced heavily by Pink Floyd/ Rush. However, they couldn’t have been more wrong. On their new album Mastodon have allowed all there influences to flourish, on this album you can clearly hear that Mastodon have been influenced by bands from a Sludge metal background like Neurosis, Progressive  rock bands such as Rush and Stoner rock bands such as Kyuss . The result is an album which sounds as if it was a Mastodon greatest hits compilation. Whatever part of Mastodons discography you like there is a part of this album you will love, whether it’s the brutality of “Remission” and “Leviathan” then there are tracks like Blasteroid and Black tongue which could fit in seamlessly on either of those albums. Or if you prefer the strong song writing which was included on “Blood Mountain”, there are tracks such as Curl of the Burl and All the heavy lifting which could easily be placed in heavy rotation on rock/metal radio stations across the world or even play listed on radio one’s a list (yes the chorus’s are that huge and catchy). Even if you preferred the progressive elements of their progressive masterpiece “Crack the Skye” there are tracks such as the title track which contains a guitar tone and guitar parts the legendary Pink Floyd guitarist David Gilmour would have been proud to have written. Or the opening to Octopus has no friends where Dailor pays homage to the legendary Rush drummer Neil Peart.

Most fans will have already seen the bizarre (yeah really bizarre) video for the albums debut single Curl of the Burl. Most fans however will be surprised to learn that although the single is a terrific song, containing an amazing riff (which some critics have already claimed to be “this generations Enter Sandman”) it is not one of the albums stand out tracks. That honour goes to Octopus has no friends, from its breathing taking drum opening, to the tracks surrealist lyrics and its haunting vocal harmonies which flow effortlessly through the song.

                Ultimately, this is a album which not only can stand up to the bands already impressive back catalogue but also take the Pepsi challenge with any band in contemporary metal, whether that be Machine Head, Lamb of God or even Metallica.  These tracks can easily be placed in the live set and sound as huge and power as tracks from the previous four albums. If they continue to produce classic metal albums to the standard of Crack the Skye and The Hunter, Mastodon could easily be the next band to headline a major festival such as Download and Sonisphere. 

Rating:- 9/10

Influenced by :- Neurosis, Rush, Metallica

Also Try:- Blackwater Park :- Opeth

The Blue Album :- Baroness

Blues for the Red Sun: :- Kyuss

Graveyard Skylines - Hellmouth

Graveyard Skylines

Hellmouth

Paper+Plastick

Following the recent success of Black Breath, Trap Them and Kvelertak. Hellmouth have released a punishing barrage of Entombed esque Death and Roll, played with the ferocity and savage nature of Converge. The 15 tracks blend furious brutality, with Entombed’s Wolverine Blues guitar tone which appears on so many cutting edge metal releases, adding a slab of gang vocals such as “It this aint hell then I can’t tell” from Tragedy of a City gives the album an anthemic feel whilst never detracting from feeling that a riff the size of wrecking ball is about to hit you. An Outstanding debut, hopefully they will be over some time in the year

Rating 9/10

For fans of:- Converge, Black Breath, Trap Them