The Hunter by Mastodon
Atlanta’s metal behemoths do it again!
“I
killed a man because he killed my goat” bellows drummer and vocalist Bran
Dailor. From this line alone you can probably tell Mastodon are a band who
aren’t afraid of pushing the the boat out with there lyrics and musical ability
or showing there influences through there music. There new release “The Hunter”
shows that the band have continued to experiment but haven’t forgotten their
heavy metal roots.
Since their inception in 1999, Sludge metal kings Mastodon
have produced four critically acclaimed albums which any classic metal band
would be proud to have in their discography.
2003 brought their sludge metal classic debut “Remission”, their next
album “Leviathan proved there was more to Mastodon then just riffs heavier than
a heard of elephants, they could write excellent songs as well, the album
spawned the bands first single “Blood and Thunder” and earned the band the
prestigious award of Terrorizer magazines album of the year award. Leviathans
follow up “Blood Mountain” allowed Mastodon to branch out from their sludge
metal roots and incorporate more stoner rock influences; widely considered to
be their breakout album earning the band their first Grammy nomination for the
track “Colony of Birchman” the track contains a surprising guest appearance
from ex Kyuss guitarist and current Queens of the Stone Age frontman Josh
Homme. Finally Mastodon released their
critically acclaimed fourth album “Crack the Skye”; on this release the band
branched out further by incorporating progressive rock sound scapes, ambient
keyboards with cleaner vocal and clean guitar tones. However the band didn’t
forget their roots, balancing their new progressive rock direction with their
huge riffs and brutal cookie monster vocals. Drummer Brann Dailor dedicated the
release to his sister “Skye” who passed away when he was young.
After
playing a storming set at this summers Sonisphere festival, where for my money
they wiped the floor with everyone who played on the Sunday. Every member of the metal community from black
metal fans to hardcore fans was waiting for their first fix of the new album.
Many expected Mastodon to pursue a more progressive direction on this album,
following on from their previous album which was influenced heavily by Pink
Floyd/ Rush. However, they couldn’t have been more wrong. On their new album
Mastodon have allowed all there influences to flourish, on this album you can
clearly hear that Mastodon have been influenced by bands from a Sludge metal
background like Neurosis, Progressive rock bands such as Rush and Stoner rock bands
such as Kyuss . The result is an album which sounds as if it was a Mastodon
greatest hits compilation. Whatever part of Mastodons discography you like
there is a part of this album you will love, whether it’s the brutality of
“Remission” and “Leviathan” then there are tracks like Blasteroid and Black
tongue which could fit in seamlessly on either of those albums. Or if you
prefer the strong song writing which was included on “Blood Mountain”, there
are tracks such as Curl of the Burl and All the heavy lifting which could
easily be placed in heavy rotation on rock/metal radio stations across the
world or even play listed on radio one’s a list (yes the chorus’s are that huge
and catchy). Even if you preferred the progressive elements of their
progressive masterpiece “Crack the Skye” there are tracks such as the title
track which contains a guitar tone and guitar parts the legendary Pink Floyd
guitarist David Gilmour would have been proud to have written. Or the opening
to Octopus has no friends where Dailor pays homage to the legendary Rush
drummer Neil Peart.
Most fans will have already seen the bizarre (yeah really
bizarre) video for the albums debut single Curl of the Burl. Most fans however
will be surprised to learn that although the single is a terrific song,
containing an amazing riff (which some critics have already claimed to be “this
generations Enter Sandman”) it is not one of the albums stand out tracks. That
honour goes to Octopus has no friends, from its breathing taking drum opening,
to the tracks surrealist lyrics and its haunting vocal harmonies which flow
effortlessly through the song.
Ultimately,
this is a album which not only can stand up to the bands already impressive
back catalogue but also take the Pepsi challenge with any band in contemporary
metal, whether that be Machine Head, Lamb of God or even Metallica. These tracks can easily be placed in the live
set and sound as huge and power as tracks from the previous four albums. If
they continue to produce classic metal albums to the standard of Crack the Skye
and The Hunter, Mastodon could easily be the next band to headline a major
festival such as Download and Sonisphere.
Rating:- 9/10
Influenced by :- Neurosis, Rush, Metallica
Also Try:- Blackwater Park :- Opeth
The Blue Album :- Baroness
Blues for the Red Sun: :- Kyuss
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