Graveyard Skylines - Hellmouth

Graveyard Skylines

Hellmouth

Paper+Plastick

Following the recent success of Black Breath, Trap Them and Kvelertak. Hellmouth have released a punishing barrage of Entombed esque Death and Roll, played with the ferocity and savage nature of Converge. The 15 tracks blend furious brutality, with Entombed’s Wolverine Blues guitar tone which appears on so many cutting edge metal releases, adding a slab of gang vocals such as “It this aint hell then I can’t tell” from Tragedy of a City gives the album an anthemic feel whilst never detracting from feeling that a riff the size of wrecking ball is about to hit you. An Outstanding debut, hopefully they will be over some time in the year

Rating 9/10

For fans of:- Converge, Black Breath, Trap Them

Born Villain - Marilyn Manson

Born Villain – Marilyn Manson

The AntiChrist Superstar attempts to find himself on 8th album

      From the God of Fuck to the God of Fuck all? Over the past 10 years Marilyn Manson has been on a Downward Spiral, destroying his legacy and his infamous notoriety that made him the Anti Christ Superstar we all know and loved. Whether it was his disastrous performance at Download 2009 (in which he made as much sense as Boris Johnson fronting Converge), to Eat me Drink me which bombed and alienated his fan base by ditching the industrial metal template and focusing on a more new romantic, gothic sound. His last album “The High End of Low” was defiantly a step in the right direction, but lacked the quality or edge of his previous work. In this time period he’s lost members and seemed to loose his ability to not only be dangerous, but also be entertaining. The question is does the world still need Marilyn Manson?

       By the account of his new album “Born Villain” the answer is possibly. Whilst still not having the edge of his back catalogue this release at least ups the heaviness with tracks like “Hey, cruel world” which see’s a return to the anti Christ era sound. The albums first single “No Reflection” contains an almost Rammstein industrial riff and see’s a return to the industrial 4/4 of the Manson of old. Where this album falls down is on quality control, the album tails off near the climax and becomes repetitive and ploddy with the albums title track fading into insignificance. Manson, who is no stranger to covers caps this release off with a cover of the Carly Simon song “Your so Vain” featuring Johnny Depp, Seriously? Who wants to hear this in 2012?  This interpretation adds very little to the original and adds the Tim Burton effect (make something creepier for the sake of it), ironic really when you consider who’s playing guitar.

Overall this is not the return to form that most fans expected and wanted from Manson, but it does have encouraging signs of things to come. He may never be dangerous again, but by the sound of this album he can still have a role in contemporary music. Let’s just hope he can stop drugging himself into the abyss and put on a good live show again.

                                                                    

                                                                     Rating;- 6.5/10

For fans of:- Nine inch Nails, Ministry, Rammstein

Hope and Hindrance - Heart of a Coward

Hope and Hindrance – Heart of a Coward

Rating: - 7/10

Former Sylosis frontman comes into his own on  debut album

                After his split from UK metal titans Sylosis in 2010, vocalist Jamie Graham has returned with his new band Heart of a Coward. Although this release does not have the technical precision of Sylosis particular their epic (yet incredibly long) 2011 album “Edge of the World”, Hope and Hindrance combines the sound of Sylosis with a hardcore energy reminiscent of bands such as While She Sleeps.  The album could have been as generic as many other metallic hardcore bands who just stick to monotonous breakdowns rather than pursue new musical ideas and are perfectly happy to belong to a scene, what sets Heart of a Coward apart from the pact is the use of the Djent guitar tone taken from the mighty Meshuggah which adds a toughness and intensity to the bands riffs and especially during the crushing breakdowns. The album does go a little too metalcore at moments and could leave listeners wondering if they had been transported back to 2003 and at times the album does fall into the typical breakdown hardcore clichés. Where as this album may not set the world on fire it is a solid and interesting release from a promising UK band who are at least combining their metallic hardcore roots with a new and exciting musical idea and sound.

For fans of :- Sylosis, Meshuggah, Hatebreed

Forcibly Fed - Wheres Billy

Forcibly Fed – Wheres Billy

British rising stars make a big impact on full length debut

                

On the back of a series of success UK tours, Kent based rockers Wheres Billy released their storming full length debut Forcibly Fed on 23^rd July. The album shows what a huge step up the band has taken from their first EP the Truth Hurts. The vocals have taken a huge step up allowing the melodies to stand out in juxtaposition against the massive post hardcore riffs reminiscent of Casually Dressed and Deep in Conversation era Funeral for a Friend; this allows front man and guitarist Darren Robinson to deliver on of the catchiest and memorable chorus’s of the year on the albums lead single Tears and Essays. The production, handled by the ever reliable Chris Coulter (Arcane Roots) is slick and professional with a slight Indie touch on the track Aches, Pains and the Quiet Life which defiantly has a hint of Puzzle era Biffy Clyro. Unlike most debuts, the album has a high level of consistency allowing the band to hold the listeners attention from start to finish without becoming monotonous or repetitive.  Overall this album shows the group at a creative high and if they continue to progress they should have a bright future to look forward to, In an era where British rock is flying high on both sides of the Atlantic, Wheres Billy have huge potential to join the hierarchy of contemporary British rock and could easily join the company of accomplished bands such as 

Biffy Clyro or Young Guns.

Rating: - 8/10

For fans of: - Biffy Clyro, Funeral for a Friend, Lower than Atlantis

A Different Kind of Truth - Van Halen

A Different kind of truth

Van Halen

Interscope

Rating: - 8/10

Veteran Rock n roll legends return… with spectacular results

“I told you I was coming back” croons David Lee Roth on the track Blood and Fire, from this alone you should have grasped that Diamond Dave has returned and is performing a star jump for the first time in over 28 years.  As proven with recent classic rock bands returning and making albums, the results are mixed. They can be really good like Sonic Boom by Kiss or they can be the biggest pile of horse crap the world has ever seen like Chinese Democracy by Guns n Roses. I am incredibly pleased to say that the Van Halen album is as good and maybe on par with Sonic Boom.

After the commercial gluttony of the Van Hager era (5150’s a good album but there is little more than a few miscellaneous tracks) and the tragic and completely terrible Gary Cherone era which is best left unspoken of. After a hugely successful tour in which they managed to make as much money as Chelsea have wasted on players by just touring America (im not complaining but they’ve not been to the UK since 1995, so I believe were owed a show… lets say Sonisphere).

The album had to be great in order to live up to the hype and expectations following the hugely successful tour, which thankfully it is. The 80’s commercial sheen has been replaced with a gritty but well produced sound and the tacky keyboards have been replaced by a more stripped down sound similar to the sound of the bands 1978 debut. DLR proves he has not lost it; his bizarre lyrics which are delivered with a huge amount of character and charisma. Songs like Stay frosty (an ode to Ice cream man from the debut album) is both eccentric and   bizarre whilst being a incredibly well written song, However it does sound like the Hula Hula song from South Park. The trio of Van Halens Eddie, Alex and Eddie’s son Wolfgang who replaces Michael Antony on Bass all shine on this album. Alex’s thundering rhythms combine effortlessly with Wolfgang’s groove bass lines, for such a young man he proves he can play and easily fills the shoes of Michael Antony. However the highlight of the album is Eddie’s solo’s and riffs, many people doubted after his recent alcohol problems might have hampered his guitar playing ability. They couldn’t have been more wrong, Eddie sounds more inspired and energetic than he has since the mid 1980’s, showing every guitarist in the world why he is and will always be one of the greatest guitarists in the world. On tracks such as China Town and The Trouble with Never Eddie’s souring solo’s show off  how good he still is, without sounding forced or ever showing off.

Overall this album is a solid return from the band, by returning to their roots they have managed to remind the world why the band are one of the biggest bands in the world. Now please can we have some UK shows please!!!!!!!!!!!!!!!

Influenced by Kiss, Led Zeppelin, The Jimmy Hendrix experience

Also try: - Sonic Boom – Kiss

Runnin wild – Airbourne

Dr Feelgood – Motley Crue